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The pattern is now ready to use in the Lost-wax casting technique.
The sculpture was made using the ancient lost-wax casting method.
This sculpture was the only cast created by the lost-wax casting method.
The history of lost-wax casting dates back thousands of years.
The lost-wax casting method was then used to create the actual bronze sculpture.
Using the lost-wax casting process, Lanagan created the final bust in bronze.
As a modelling material in the lost-wax casting process, or cire perdue.
Lost-wax casting was widespread in Europe until 18th century, when a piece-mold process came to predominate.
Forging, Lost-wax casting, and casting in forms became common techniques.
Some early literary works allude to lost-wax casting.
Dziekiewicz-Pilich creates sculptures mainly made of bronze with the lost-wax casting technique.
From this clay carving the bronze plaque was cast using the lost-wax casting technique.
There she learned the Lost-wax casting method and was able to produce sculptures in bronze and other metals.
Skoogfors often used the lost-wax casting process.
Lost-wax casting, a common metalworking method typically found where the inhabitants keep bees, was also used by the Maya.
Metalworkers also create brass sculptures by lost-wax casting.
It is a lost-wax casting.
He created many of these directly in wax using a lost-wax casting technique he had learned in Italy.
The bronze statue used lost-wax casting.
The artist works primarily in bronze, creating both abstract and figural sculptures using the lost-wax casting technique.
Earliest known occurrence in Mexico of Lost-wax casting.
Wax has been used since antiquity as a temporary, removable model in lost-wax casting of gold, silver and other materials.
When lost-wax casting came in, tin-bronze was used but it was gradually replaced by zinc-brass.
Lost-wax casting was known in the Middle East in antiquity and seems to have diffused from there.
In contrast, the process of lost-wax casting allows an artisan to create a wax model of the desired object.