With dusk, the specialty shops and fashion houses along the right bank of the Limma would be closing as well.

The word limma or leimma (remnant) can refer to several different musical intervals, whose only common property is their small size:

LIMMA provides a set of tools for background correction and scaling, as well as an option to average on-slide duplicate spots.

In Pythagorean tuning, these correspond to the Pythagorean limma and the Pythagorean apotome, only now the apotome is larger.

Five fifths down and three octaves up make up a diatonic semitone, so that the Pythagorean limma is tempered to a diatonic semitone.

Although closer in size to the Pythagorean apotome than to the limma, it has been so called because of its function as a diatonic semitone rather than a chromatic one.

Although the limma and the apotome are both represented by one step of 12-pitch equal temperament, they are not equal in Pythagorean tuning, and their difference, 531441/524288, is known as the Pythagorean comma.

The Pythagorean limma and Pythagorean apotome are enharmonic equivalents (chromatic semitones) and only a Pythagorean comma apart, in contrast to diatonic and chromatic semitones in meantone temperament and 5-limit just intonation.