And how does a good libretto from a bad one?

The libretto, though, was far less important than it seemed.

A good libretto, or a bad one, is everything else.

In the first place, a different type of libretto is required.

The music is very good but the libretto (words) were poor.

The full score and the libretto have not been found.

In the libretto, the time and place of the action are unclear.

And even the librettos from which he worked are valuable for one reason.

"Take a look at the libretto when you get home.

In its original form, the libretto failed to make this point.

Can you find someone to make a libretto for me?"

And it's the only libretto in America that every kid knows by heart.

At one time, the composer considered writing the libretto himself.

Therefore poetry on its own is out of place in a libretto.

Many of his libretti were set several times by different composers.

The author of the libretto for this work is unknown.

There are four characters, and the libretto is in French.

The inclusion of a libretto alone is a major advantage.

Soon, he was famous all over Italy for his librettos.

Typing on the Libretto is the one thing that takes getting used to.

You bet in Germany people know their librettos by heart!

That may explain why so much of the libretto is spoken.

They add the reading of the libretto to watching the stage and listening.

It might have been nice to be able to buy a libretto, incidentally.

The libretto, also by Strauss, is based on an event in his own life.