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It thus establishes an intertextuality and a certain connection with them.
There were striking instances of such multiple intertextuality in late 1990.
"Intertextuality" is a word frequently used by Morgan in his lectures.
Often intertextuality is more complicated than a single reference to another text.
Kristeva is also noted for her work on the concept of intertextuality.
As for literary theory, he worked in particular on irony, closure and intertextuality.
However, there have also been attempts at more closely defining different types of intertextuality.
This, however, is not necessarily a negative criticism, as it involves the concept of intertextuality.
This combination of texts is referred to as intertextuality.
An example of intertextuality can be seen in the repetition of patterns between books.
The following is a specific example of intertextuality between all three voyages:
That is, a meaning which is close to the meaning of intertextuality.
In this model, the role of intertextuality is recognized as central to the composition of "new" material.
He made use of textual collages and intertextuality.
Pastiche is a form of intertextuality, which is sometimes associated with postmodernism.
Describes the evolution from an emphasis on realism in the 1950's to the intertextuality of the 1970's.
These are examples of intertextuality because they pull from past Disney works and use them to create something new and original.
Genette described transtextuality as a "more inclusive term" than intertextuality.
Etxebarria claimed that she admired him and applied intertextuality.
Sexing the Cherry is a postmodernist work and features many examples of intertextuality.
The term intertextuality was coined in 1966 by Julia Kristeva.
Allusion differs from the similar term intertextuality in that it is an intentional effort on the author's part.
The stories are closely related through intertextuality.
"Primitive they are: their internal discourse is crippled by a complete absence of intertextuality.
It deals with dark issues, but is also peppered with humour and intertextuality.