in-yer-face theatre

Since 2000, he has mostly worked on symbolist plays and In-yer-face theatre.

It is considered one of the earliest examples of in-yer-face theatre.

She is a writer for In-yer-face theatre.

In-yer-face theatre describes drama that emerged in Great Britain in the 1990s.

Noise is associated with "in-yer-face theatre"' by Aleks Sierz.

"Monsterists" entry by Aleks Sierz in his In-yer-face theatre website.

Five Kinds of Silence is an in-yer-face theatre play by the playwright Shelagh Stephenson.

Mark Ravenhill at the website of In-Yer-Face Theatre.

Rebecca Prichard (born 1971) is English author and playwright, and one of the major contributors to the In-yer-face theatre movement.

Along with Sarah Kane's Blasted, it was a prime exemplar of British in-yer-face theatre of the 1990s.

Paul Taylor of The Independent agreed with Spencer that the play was a throwback to the In-yer-face theatre of the late 1990s.

In-Yer-Face Theatre: British Drama Today.

Drama critic Aleks Sierz describes Berkoff's dramatic style as "In-yer-face theatre":

Aleks Sierz: In-Yer-Face Theatre.

Morris has been included as part of the British school of "In-Yer-Face Theatre" by critic Aleks Sierz.

"In-yer-face theatre" was debated at a two-day conference at the University of the West of England, held in 2002, at which Sierz was a keynote speaker.

According to Sierz, "The big three of in-yer-face theatre are Sarah Kane, Mark Ravenhill and Anthony Neilson"; in listing 14 "Other hot shots" in "Who?"

This category coined by British theatre critic Aleks Sierz is the title of his book, In-Yer-Face Theatre, first published by Faber and Faber in March 2001.

Anthony Neilson (born 1967 in Edinburgh) is a Scottish playwright and director commonly associated with the "in-yer-face theatre" movement and is known for his collaborative way of writing and workshopping his plays.

In-yer-face theatre - a term for drama that emerged in Great Britain in the 1990s to describe work by young playwrights who present vulgar, shocking, and confrontational material on stage as a means of involving and affecting their audiences.

This play, along with Ridley's The Pitchfork Disney and The Fastest Clock In The Universe are now generally regarded as seminal works in the development of the so-called in-yer-face theatre that emerged in Britain during the mid-1990s.

In summarising the results of the conference, co-conveners Graham Saunders and Rebecca D'Monté observe that Sierz acknowledged that by 2002 "in-yer-face theatre" had already become an historical phenomenon (a trend of the past; hence, passé), going on to state:

Four Letter Word Theatre continued to produce the works of the late 1980s/1990s Western In-Yer-Face Theatre movement including Sarah Kane's Phaedra's Love, Patrick Marber's Closer and Anthony Burgess' A Clockwork Orange.

With theatre magazine "Paso de Gato," the Foundation sponsored an event dedicated to English theatre inviting critics such as Aleks Sierz of In-yer-face theatre, Scottish critic Mark Fisher and Michael Billington, a critic based in London.