Weitere Beispiele werden automatisch zu den Stichwörtern zugeordnet - wir garantieren ihre Korrektheit nicht.
I'll probably be one of those drawn to good hypertext fiction.
The result is a continually growing work of hypertext fiction.
For instance, Miller claims to know almost no one who reads hypertext fiction.
By definition, this excludes that majority from participating in hypertext fiction.
Storyspace is a software program for creating, editing, and reading hypertext fiction.
It was published by Eastgate Systems in 1990 and is known as the first hypertext fiction.
She has spent much of the past decade researching hypertext fiction and interactive fiction.
Cramer was the hypertext fiction editor at Eastgate Systems in the early 1990s.
Early works of hypertext fiction, as they were known, let readers click on a highlighted word and follow its hyperlink to another text passage.
It is often discussed along with Michael Joyce's Afternoon, a story as an important work of hypertext fiction.
Thus, hypertext fiction of the simple node and link variety is ergodic literature but not cybertext.
It is a very visual form, and is related to hypertext fiction and visual arts.
The advent of the internet has seen many such collaborative writing games go online, resulting both in hypertext fiction and in more conventional literary production.
Elfland Catacombs is one of the earliest examples of hypertext fiction .
'See main article Hypertext fiction'
The earliest electronic literatures were known as hypertext fiction and used hyperlinks to connect otherwise isolated story nodes.
Eastgate catalog (catalog of historically significant Hypertext fiction, nonfiction and poetry)
Beginning with Uncle Roger in 1986, Malloy has composed works in both new media literature and hypertext fiction.
Borges's vision of "forking paths" has been cited as inspiration by numerous new media scholars, in particular within the field of hypertext fiction.
Stuart Moulthrop was shown interactive media by using hypertext, and made genre of hypertext fiction on the Internet.
Douglas uses this article to go into more detail about how hypertext fiction works and why it is so beneficial for readers in comparison to regular texts.
Consider hypertext fiction, such as Geoff Ryman's 253 and the new concept of the "wovel", as discussed here a few weeks ago.
Whatever its literary or technological merits may have been, "Elfland Catacombs" had little or no influence on the development of hypertext fiction.
"Hypertext Fiction," pp.
Grant is known as a 'radical collaborator' - the longest of her exchanges being with the pioneering writer of hypertext fiction, Michael Joyce.