franco-flemish

He is considered to be a member of the Franco-Flemish school.

It is in a style equivalent to the work of the late Franco-Flemish school.

The largest of these forces assembled on the Franco-Flemish border.

Strolling up and down, you may feel the continuity of Franco-Flemish life.

They include Franco-Flemish items, circa 1520, and are in as-found condition.

His style is influenced heavily by Franco-Flemish art.

He represents the northern European dialect of the Franco-Flemish style.

Rather it can be within the tradition of Bohemian painting, or possibly Franco-Flemish art.

He was one of the first composers to blend the Franco-Flemish and Italian styles.

Rogier's motets are also in the Franco-Flemish style of mid-century.

Not that Arcadelt, an accomplished Franco-Flemish composer of the 16th century, was anything special.

He was a representative of the late style of the Franco-Flemish school in Poland.

The others employ the Franco-Flemish technique of through-imitation.

From this changing society emerged a common, unifying musical language, in particular the polyphonic style of the Franco-Flemish school.

Franco-Flemish composer Lassus in particular knew his music well and incorporated elements of his style.

As a composer he represented the school of Franco-Flemish polyphony in Bohemia.

Although highly admired by his contemporaries, the next generation of Franco-Flemish composers mostly wrote in a more simplified style.

Often these composers are known as the Franco-Flemish or Netherlandish School).

By late in the 15th century the Burgundian style was subsumed into the larger stream of Franco-Flemish music.

In music the Franco-Flemish School is also known as the Dutch School.

In the early to mid 1500s, new types and forms of vocal music which modified the dominant Franco-Flemish style appeared throughout Europe.

The Boosey family was of Franco-Flemish origin.

He was known as one of the great Franco-Flemish contrapuntists although his compositions encapsulate every musical style of the time.

An early 16th-century polyphonic vocal style developed in Spain was closely related to that of the Franco-Flemish composers.

Capilla Flamenca specialises in Franco-Flemish polyphony, focusing on the music of around 1500.