flesh colour BrE
flesh-color AmE

Your baby's eyes are now open and its skin is taking on a flesh colour.

The flesh colour can range from a bright red to a pale pink.

It can also be a pale brown or pale flesh colour.

The thighs had skin or flesh colour and the legs below the knees were made of wood.

No change in flesh colour when cut.

However, their bill tips are black, their eyes still dark, and the legs are a light yellow flesh colour.

The jack used before 1955 and in 1960-1993 was similar, but the armed hand was in flesh colour, with blue sleeve.

Flesh colour (pink) specimens appeared by 1990s.

Colour the fondant icing a pink flesh colour.

It features a band called Flesh Colour formed in 1976 in Brussels-Capital.

The band then decided for the first time on a name for their newly formed band, "Flesh Colour", like the film in which they starred.

'Why, flesh colour of course.'

Subsequently, Nathan Brook's Army List of 1684 referred to "Coated red, lined with a flesh colour".

She may easily be recognized, for her body is half flesh colour and half blue, and she has a dreadfully stern and forbidding countenance.

Flesh Colour (2008, 14'12")

The intention was, as the contemporary engraver and antiquary George Vertue remarked, 'to make the flesh colour clear and transparent.'

The face has dark rings around the eyes and very long, white facial whiskers (sensory hairs) and the large, wet snout (rhinarium) has a contrasting flesh colour.

Consider, for example, Whistler's Nocturne in Black and Gold or his Arrangement in Flesh Colour and Black.

Among his friends were the physicist Fraunhofer and the Viennese glass-painter Molin, who praised Frank's colouring, especially his reds and his flesh colour.

His trunks, largely buried between the rolls of his stomach and thighs, were red-purple, a colour neither heavier nor lighter than his achieved flesh colour, which jangled the eye.

This was a simple job as the aim was to look younger than their years: flesh colour for the face, blue greasepaint smeared on the eyelids and a little rouge on their cheeks.

David Lawrence and Ann Wilson consider Burges was particularly indebted to Saunders: "his technique [gave] Burges's glass its most distinctive characteristic, namely the flesh colour.

Harper's New Monthly Magazine described Holland House as having had a "Gilt Chamber", where "the figures over the fireplace were painted in flesh colour wherever bare; the rest was in shaded gold.

His works are easily recognisable: he often portrays his sitters with deep eyes under strong eyebrows, together with a slightly lengthened nose, and the flesh colour of the face is painted using a brownish yellow tone.

Farm raised salmon are also fed the carotenoids astaxanthin and canthaxanthin, so that their flesh colour matches wild salmon, which also contain the same carotenoid pigments from their diet in the wild.