fill light

Hall added the fill light and lit the roses to finally show them in full.

Fill light may be used to illuminate the side of the subject facing toward the camera.

The diffused fill light is now placed on the other side of the camera.

A fill light decreases contrast and adds more details to the dark areas of an image.

The fill light is often softer and, by definition, less intense than the key light.

Often a reflector is placed below the subject's face to provide fill light and soften shadows.

The equipment room demonstrates different kinds of lighting, like a key light and fill light.

Softer fill light can be provided by adding diffusers.

The flash supplies fill light automatically and, when asked, can fire sequentially while the shutter is open.

The band of lit cliff quickly grows; even in fill light the upper slopes look sheer and blank.

Specifically, it is now being used primarily as a fill light to raise the illumination level of shadows created by other, off-axis lights.

A flash is a necessary accessory for auxiliary or fill light in dim or high contrast conditions.

A mini- brute is smaller and is used for supplementary illumination (fill light).

A common lighting setup places the fill light on the lens axis, roughly perpendicular to the key light.

Low-key lighting often uses only one key light, optionally controlled with a fill light or a simple reflector.

It is an overall lighting design which uses the fill light and backlight to create low contrast between brighter and darker areas.

Placed opposite the key light, the fill light fills in or softens the shadows on the opposite side of the face.

Its flash is built in, and the lithium-powered, pop-up unit fires whenever the camera senses that fill light is needed.

As a result, it is most commonly used to control contrast in both artificial and natural lighting, in place of a fill light or "kick" light.

The relative intensity of ambient light and fill light is known as the lighting ratio, an important factor in calculating contrast in the finished image.

Traditional photographic lighting, three-point lighting uses a key light, a fill light, and a back light for illumination.

Skypans of around 5,000 Watts can provide soft fill light for backdrops and cycloramas (cycs) in television, film and still photography.

An alternative to the fill light is to reflect existing light or to illuminate other objects in the scene (which in turn further illuminate the subject).

This technique may be achieved subtly or very dramatically by altering the distance between subject and lights and relative strengths of main and fill lights.

A new non-destructive adjustment brush, with which users can selectively apply an exposure adjustment (such as contrast, fill light, etc.) to a section of the image.