feminist literary criticism

Over 700 pages long, the work is a landmark in Feminist literary criticism.

It was not until the 1970s, with the rise of feminist literary criticism, that scholars began to pay attention to her other works.

This was when feminist literary criticism began.

Her role is very much like most other females during this time that of a repressed figure and lack of "Feminist literary criticism".

For feminist literary criticism, once a sort of illicit half sister in the academic world, has assumed a respectable place in the family order.

In the 18th century, particularly in Germany, occasional poems were often written by women, a phenomenon that has been the subject of feminist literary criticism.

Feminist literary criticism view the girdle (called a "love lace" at one point in the text) as a symbol of feminine power.

This line of criticism would not be fully explored until the 1970s with the rise of feminist literary criticism.

Duffy's belief in feminist literary criticism is apparent as she believed that in order to find the truth, the female character was to be dominant.

I'm going to write a book on, um, the influence of structuralism on feminist literary criticism, and I'd asked his advice.'

"Feminist Literary Criticism and the Author.

Feminist literary criticism is literary criticism informed by feminist theories or politics.

Subsequent feminist literary criticism has helped restore their work-which includes plays, poetry, novels, and essays-to prominence.

Since the arrival of more complex conceptions of gender and subjectivity, feminist literary criticism has taken a variety of new routes.

Rambles was not reprinted until the rise of feminist literary criticism in the 1970s provoked a wider interest in Shelley's entire corpus.

With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars.

In the most general, feminist literary criticism before the 1970s was concerned with the politics of women's authorship and the representation of women's condition within literature.

She is one of the founders of feminist literary criticism in United States academia, developing the concept and practice of gynocritics.

Although it was excerpted in popular contemporary magazines, it was not republished until the rise of feminist literary criticism in the 1970s.

Feminist criticism of the Bible utilizes the same means and essentially strives for the same ends as feminist literary criticism.

Since its 1987 publication, Stealing the Language has been groundbreaking for feminist literary criticism as well as for the feminist poetry movement.

The importance of Stealing the Language to the interconnected fields of feminist literary criticism, feminist poetry, and gender studies must not be underestimated.

It was not until the advent of feminist literary criticism within the academy in the 1970s and 1980s that Barbauld finally began to be included in literary history.

After her suicide, and now pursued by the Furies of American feminist literary criticism, Hughes solved the performing flea question by shunning the circus.