expressionist dance

This experience only added more exuberance to his expressionist dance.

He is sometimes considered the father of Expressionist Dance.

There is no sign of expressionist dance's typical distortion of form.

At the time, he studied tap, jazz, flamenco, ballet and German expressionist dance.

German Expressionist dance is related to Tanztheater.

Dance artists, besides Mary Wigman, associated with expressionist dance include:

Expressionist dance teachers such as Rudolf Laban had an important impact on Pilates' theories.

Mary Wigman (see Expressionist dance)

It is common to see such choral units, and Massine's distilled gestures as derived from German Expressionist dance.

Beside the various sub-genres of street dancing, other forms like contemporary and expressionist dance are used as filmic metaphors for the protagonists' coming of age.

Like Massine at the time, the British-born Tudor was influenced by German Expressionist dance.

You see edges of Asian movement traditions, but you also see a lot of German expressionist dance and European influences.

Unlike other rebels against Butoh, Japan's expressionist dance, they have not discarded Butoh's movement technique of detailed slow-motion muscular control.

The term first appears around 1927 to identify a particular style of dance emerging from within the new forms of 'expressionist dance' developing in Central Europe since 1917.

As a choreographer she was at the forefront of modern dance and contemporary ballet, combining two contrasting elements: German expressionist dance and classical ballet.

The different generations might be recognized from the various dance-styles from Expressionist dance via Street dance and Contact improvisation to classical Ballet.

Residents of New York City since 1976, they were influenced by experimental dance in Japan and by expressionist dance in West Germany.

To modern-dance aficionados, Miss Holm was the most significant choreographer and dancer to have come out of the Central European Expressionist dance tradition in Germany.

Hijikata trained in Western forms that included German Expressionist dance and was influenced early on by the writings of Genet and Artaud.

The German Tanztheater ("dance theatre") grew out of German expressionist dance in Weimar Germany and 1920s Vienna.

Exponents of expressionist dance included Mary Wigman, Rudolf von Laban, and Pina Bausch.

As early as 1951, Martha Hill, the festival's founder, attempted to bring Mary Wigman, the most influential figure in German Expressionist dance, to Connecticut.

Instead, they became curious about the Expressionist dance form that Mary Wigman, one of the most influential choreographers of this century, had developed in Germany during the 1920's.

The link between Tudor and the German-born Mr. Poll is the Expressionist dance strain to which Mr. Poll often pays tribute.

The slightly built dancer appears to grow onstage, a figure of formidable power whose spread arms and legs have the crude implacability of a figure from a German Expressionist dance or painting.