exposure latitude

One of the principal advantages compared to film based systems is the much greater exposure latitude.

This resulted in a linear exposure latitude equivalent to more than 13 stops.

Color print film generally has greater exposure latitude than other types of film.

Greater exposure latitude allows one to compensate for errors in exposure while retaining quality.

In recent years, advances in lens technology and film exposure latitude have reduced the importance of t-stop values.

The images usually would have reduced saturation and exposure latitude, along with increased contrast and graininess.

Exposure latitude is the extent to which a light-sensitive material can be overexposed or underexposed and still achieve an acceptable result.

In addition, an exposure latitude can be specified, ranging from the saturation-based speed to the 10:1 noise-based speed.

The amount of exposure variation that a given film can tolerate while still producing an acceptable level of quality is called its exposure latitude.

Its ability to produce good-looking enlargements is offset by its slow speed and whisker-thin exposure latitude.

Even the existence of what Polaroid refers to as "excellent exposure latitude" doesn't make OneFilm unique.

OneFilm's reliance on exposure latitude to mask a multitude of snapshooting errors isn't new, then, but its claim to universality is.

The Star 235 has a single shutter speed, two apertures and relies on the exposure latitude of color-negative film to produce decent-looking prints.

The EPIC's extraordinary exposure latitude will allow me to more effectively explore the use of natural light".

Practically all 200-speed negative color films have an exposure latitude of three stops on the side of overexposure and one stop on the underexposure side.

The DX system initiated by Kodak reserves two of its twelve squares on the film cartridge for sensing exposure latitude.

Since the acceptability of the result is dependent on both personal aesthetics and artistic intentions, the measurement of exposure latitude is, by definition, somewhat subjective.

All forms of RAW have a degree of exposure latitude which exceeds slide film - to which digital capture is commonly compared.

With a 110 field of view, the Hologon would otherwise have had a 3 stop corner light falloff, which is wider than the exposure latitude of contemporaneous films.

It is developed in the same color chemistry as Kodacolor and Fujicolor, and it features a remarkable exposure latitude unknown in conventional emulsions.

Professional critique of digital cine cameras often centers on the extent to which their dynamic range, and exposure latitude by extension, falls short of that of negative film.

Suitable films are medium-speed types (ISO 125-400) which possess fine grain, good contrast range and some exposure latitude, such as Ilford FP4 or XP1.

The Efke films are black-and-white films with high silver content and as a result give a large exposure latitude and high quality grayscale reproduction when compared with modern films.

At the time, most photojournalists looked down on colour photography as commercial; and colour film was difficult to work with as it was slower than black and white and had less exposure latitude.

Many other technical and aesthetic considerations - contrast, exposure latitude, color definition, frame rates and exposure sensitivity - also enter the equation; and none of these seems to tip the balance toward any existing video system.