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Godescalc described his book in a dedication poem at the end of the Evangelistary:
Like other gospel books, the Godescalc Evangelistary includes portraits of the four Evangelists.
His Evangelistary was a richly decorated work worthy of matching the desires of the commissioning monarch.
The Godescalc Evangelistary was an important part of Charlemagne's educational and ecclesiastical reforms.
The first work to be considered Carolingian is the Godescalc Evangelistary, which was created for Charlemagne between 781 and 783.
The Godescalc Evangelistary is illuminated in the same style as the Dagulf Psalter.
The golden words etched behind Christ are strongly linked to the following text in the Evangelistary about Christ's life which includes the same words.
The origin of the image of the Fountain of Life is much older than the Godescalc Evangelistary.
The Fountain of Life takes up a full page in the Evangelistary and is significantly located on the verso with Christ in a garden.
Tomb of Saint Andoche, reputed to be writer of the evangelistary of Charlemagne.
She is also known for the richly illuminated evangelistary, which she commissioned in the scriptorium of the monastery of st.Krševan in 1096.
The full page miniatures include a representation of the Fountain of Life based on the similar illumination in the Godescalc Evangelistary.
The Godescalc Evangelistary outlines prayer services and contains selections from the Gospels designed to be read at Mass through the liturgical year.
The content of the Godescalc Evangelistary is a reminder of Charlemagne's intention to renew culture of the past rather than to create a new one.
The first manuscript in this hand was the Godescalc Evangelistary (finished 783) - a Gospel book written by the scribe Godescalc.
The Evangelistary is the earliest known manuscript produced at the scriptorium in Charlemagne's Court School in Aachen.
The meaning was modified in the Evangelistary and because of its placement and heading; the miniature refers to Christ's birth as the Fountain of Life.
The palace also housed other areas dedicated to artistic creation: a scriptorium that saw the writing of several precious manuscripts (Drogo Sacramentary, Godescalc Evangelistary.)
In some other works like the Carolingian Godescalc Evangelistary, "XPS" in sequential letters, representing "Christus" is given a prominent place.
The Godescalc Evangelistary is written in gold and silver ink on purple vellum in uncial characters except the dedication, which is written in Caroline minuscule.
The Evangelistary offered not only a new alternative for illuminators and scribes of the Carolingian era, but a form of writing that would be adopted and stay in effect until today.
Trpimir also undertook a pilgrimage to Cividale together with his son Peter, which was recorded in the Evangelistary of Cividale, where he is titled as dominus (domno).
The best examples date from the Carolingian period: the Godescalc Evangelistary made to commemorate the Baptism of the son of Charlemagne in 781, and in the Soissons Gospels.
The Godescalc Evangelistary, Godescalc Sacramentary, Godescalc Gospels, or Godescalc Gospel Lectionary (Paris, BNF.
Although the Evangelistary is named after Godescalc, the production involved a team of writers, editors, Godescalc himself (who was a poet and scribe), parchment makers, an illuminator, a painter, and a book binder.