dynamic range compression , DRC (Abkürzung)

Rather, the idea is to reverse the effects of dynamic range compression.

All these tend to be somewhat muffled by dynamic range compression.

This normalization, while similar in purpose, is distinct from dynamic range compression.

The unit produces a dynamic range compression effect.

The remastered version also suffers from dynamic range compression (see loudness war).

A reference to heavy use of audio processing effects such as reverb, delay, or dynamic range compression.

The recording is also noted for its exceptional use of dynamic range compression to increase the track's perceived loudness.

As with the company's record pressings, no dynamic range compression was used in the production of the CDs.

It is nearly impossible to find a hearing aid today - digital or analog - that does not use multi-channel wide dynamic range compression.

There exist a number of automatic computer image processing-based shadow recovery and dynamic range compression methods that yield a similar effect.

The String instrument were recorded without reverberation, and Dynamic range compression, giving a stark, urgent sound.

Software offering such normalization typically provides the option of using dynamic range compression to prevent clipping when this happens.

The extensive use of dynamic range compression has recently been bemoaned by critics as part of a "loudness war".

However, CX-encoded records could also be played without a decoder, with a resulting (claimed acceptable) amount of dynamic range compression.

Modern recordings that use extreme dynamic range compression and other measures to increase loudness therefore sacrifice sound quality to loudness.

Chris Lord-Alge is known for his extreme use of dynamic range compression in both hardware and software plug-in versions.

Normalization differs from dynamic range compression, which applies varying levels of gain over a recording to fit the level within a minimum and maximum range.

KRPR uses a minimal amount of dynamic range compression combined with audiophile quality signal processing.

More importantly, he used "wide dynamic range compression" (WDRC).

It has none of the dynamic range compression applied to the recent A&M remastered CD versions.

Dynamics processing (e.g. dynamic range compression, gating)

Parallel compression, also known as New York compression, is a dynamic range compression technique used in sound recording and mixing.

It makes limited use of dynamic range compression and peak limiting, rejecting the loudness war trends of modern CD releases.

"Gradient Domain High Dynamic Range Compression"

Various crest factors of pink noise can be used in simulations of various levels of dynamic range compression in music signals.