dry plate

As a result, the identity of the male on the dry plate is unknown.

The images were exposed and developed as 18x24cm glass dry plates.

If a dry plate is used, first wash the preservative off in running water.

The brakes are of the single dry plate type and a Cleveland differential is used.

Power was transferred through a single dry plate clutch to the front wheels.

In his later years, he wrote articles on the dry plate process and other techniques for various photography journals.

The wet collodion process was replaced by dry plates at the start of the 1870s.

The introduction of dry plates in the late 1800's, for example, is assumed to have led to new pictorial forms.

In fact, they were made by a contemporary artist using an old-fashioned process known as the dry plate tintype.

In 1886 dry plates had finally become reliable enough that he did not need his portable darkroom.

A dry plate of a man in traditional hitatare and a tachieboshi was found on her person.

The invention of dry plate photography in 1882 made taking photographs easier and cheaper than before.

"The dark counter bent at the waist, spine of drying plates."

Michel said to her as he stood beside her drying plates, smiling.

His photographic career began shortly after the introduction of gelatine dry plate photography.

The clutch was however a fairly conventional dry plate clutch.

While on the expedition, he experimented with the dry plate process, for which he would eventually become an expert.

Liquids ejected from the source are captured by dry plates due to surface tension.

By 1856 he had transitioned to collodio-albumin, allowing the easier transport of dry plates.

Dry plate, also known as gelatin process, is an improved type of photographic plate.

Huggins was also the first to adopt dry plate photography in imaging astronomical objects.

Astronomical photography did not become a serious research tool until the late 19th century, with the introduction of dry plate photography.

The clutch was a single dry plate with diaphragm and a five-speed gearbox was standard.

In 1882, he moved to Boston where he took courses in portrait photography and the dry plate process.

An image could require anywhere from three to ten times more exposure on a dry plate than on a wet plate.