digital audio workstation

Digital audio workstations vary greatly in size, price and complexity.

This makes the Octane into a respectable digital audio workstation.

For all intents and purposes, this system was the very first digital audio workstation.

Software mixing is heavily integrated as part of a digital audio workstation.

Normalization is one of the functions commonly provided by a digital audio workstation.

Today, most sound editors use digital audio workstations for sound editing.

These are separate from the effects that may be applied by using a mixing console or a digital audio workstation.

Ardour is a hard disk recorder and digital audio workstation application.

Ardour's intention is to provide digital audio workstation software suitable for professional use.

Next the two channel file is summed to monoaural on the digital audio workstation.

Kronos can also be integrated within a computer digital audio workstation as a software plug-in.

Sound Tools was a digital audio workstation released by Digidesign in the late 1980s.

A comprehensive list of digital recording applications is available on the digital audio workstation page.

Other producers achieve similar results by using the automation features of computer-based digital audio workstations.

Horn produced the album using the digital audio workstation software Pro Tools.

He mixes the programs digitally on a Sadie digital audio workstation tucked in a corner of his bedroom.

Such advanced software is called a digital audio workstation (DAW).

Reason 6 introduced audio recording (by incorporating Record), turning it into a digital audio workstation.

It combines old songs with new recordings, without the use of a Digital Audio Workstation.

Kearby created some of the earliest versions of digital audio workstation product families working with many colleagues.

Samplitude is an example of a digital audio workstation (DAW).

Digital audio editors are the main software component of a digital audio workstation.

The process is generally carried out by a mixing engineer operating a mixing console or digital audio workstation.

In addition to these two approaches, a third approach has emerged that combines the above two methods of score input into a Digital audio workstation.

The imagery used to represent audio in digital audio workstations is largely based on familiar oscilloscope patterns.