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Without at all resembling him in style, they follow his sharp commentarial lead.
Other Works is a section that takes into account the commentarial and memoire literature.
These scholars were in what is called the "commentarial tradition" through critical annotated translation.
This is sometimes called the "ninth jhāna" in commentarial and scholarly literature.
It is important to note, however, that some of these events do not occur in the Tipitaka and are thus purely commentarial.
According to late commentarial accounts, King Ajātasattu sponsored the council.
It is Mount's only picture of a black woman, and here the artist's commentarial impulses seem, for once, to be in abeyance.
In the later commentarial tradition, four other sites are also raised to a special status because Buddha had performed a certain miracle there.
Others incorporate commentarial interpretations or misunderstandings of the commentary.
The Pali texts have an extensive commentarial literature much of which is still untranslated.
Many commentarial texts are called Shastras, a by-word used when referring to a scripture.
In the Theravāda Abhidhamma and commentarial traditions, karma is taken up at length.
The Samgiti-sutra is also the basis of a commentarial work, in the later Yogacara-bhumi-sastra, some several hundred years later.
As such, within the Tibetan Buddhist canon this text is classified as commentarial literature.
The Buddhist commentarial scriptures give two reasons for the name Kausambi/Kosambī.
In the Abhidhammattha-sangaha (11th to 12th century), another widely used Buddhist commentarial text, there are only ten insight knowledges.
The commentarial introd.
This tradition upholds the emphasis on samatha explicit in the commentarial tradition of the Visuddhimagga.
Commentarial literature:
The Fivefold Niyāma Translations of the commentarial texts which mention the niyāmas.
In the later commentarial tradition, four more sites were added to make Eight Great Places, places where a miraculous event is reported to have occurred:
However, in the case of his references to much earlier painters, culminating in Pictures from Brueghel (1962), his approach was more commentarial.
They include three paracanonical and two commentarial works, sixteen historical and ten grammatical texts, as well as six others of miscellaneous content.
However, the commentaries by Ārya Vimuktisena and Haribhadra are most fundamental to the subsequent commentarial tradition.
Each Gelug monastery uses its own set of commentarial texts by different authors, known as monastic manuals (Tib.