colour reversal film BrE
color reversal film AmE

However, much of the insert material was still in black and white, as initially only a part of the film coverage shot in and around London was on colour reversal film stock, and all regional and many international contributions were still in black and white.

All color reversal film sold today is developed with the E-6 process.

These Ektachrome color reversal films are the latest in high technology.

Current Ektachrome process used for all major color reversal films and formats, first released in 1977.

As with color reversal film, the normal procedure is to expose for the highlights and process for the shadows.

Color reversal film after development is called a transparency and can be viewed directly using a loupe or projector.

Black-and-white reversal films are less common than color reversal films.

Processing positive color reversal film in C-41 chemicals, resulting in a negative image on a colorless base.

However, cross processing can take other forms, such as negative color print film or positive color reversal film in black and white developer.

Velvia is a brand of daylight-balanced color reversal film produced by the Japanese company Fujifilm.

Kodachrome is a brand name for a non-substantive, color reversal film introduced by Eastman Kodak in 1935.

Eastman Kodak first market Kodachrome subtractive color reversal film as 16 mm movie film.

The use of this T-Grain technology in all layers of color reversal film, like transparencies and slides, makes this possible.

It also made color reversal film more practical in larger formats, and the Kodachrome Professional film in sheet sizes was later discontinued.

Kodak launched a replacement color reversal film in the Super 8 format, Ektachrome 64T, which uses the common E-6 processing chemistry.

In the early 1960s, filmmaker Jack Smith used discarded color reversal film stock to film his no budget film classic, Flaming Creatures.

Photo slideshow software has made it easier to create photo slideshows, eliminating the need for expensive color reversal film, instead requiring only a digital camera and computer.

Besides black & white and color negative films, there are black & white and color reversal films, which when developed create a positive ("natural") image that is projectable.

Fortia SP was the successor of the original Fujichrome Fortia professional ISO 50 color reversal film, which was released in a limited run in 2004.

Reel-to-reel tape recorders, the Filmmakers Cooperative, 8mm (not Super-8), $25 Craig splicers, Kodak Presstape, 16mm color reversal film with the mag stripe - it all came rushing back.

Galen Rowell also mastered the technique of using balanced fill flash which allowed him to lighten the deepest shadows in a subtle way to match the relatively narrow dynamic range of color reversal film.

The exposure scale of color reversal film is less than that of color negative film, and the procedure for exposure usually is different, favoring highlights rather than shadows; the shadow values then fall where they will.

Fujichrome Fortia SP (stylized as "fortia SP") was a brand of ISO 50 daylight-balanced professional color reversal film produced by the Japanese company Fujifilm between 2005 and 2007.

ISO speed for color reversal film is determined from the middle rather than the threshold of the curve; it again involves separate curves for blue, green, and red, and the film is processed according to the film manufacturer's recommendations.

Alongside director of photography Glen Winter, Biller opted to shoot all the flashback sequences on 16 mm color reversal film, which would give the flashbacks a "grainy, dirty look" that Biller thought gave an interesting quality to the flashback scenes.

The tonal range of color negative film is slightly less than that of black-and-white film, and the tonal range of color reversal film and digital sensors even less; accordingly, there are fewer zones between pure black and pure white.