cloisonnism

He is also associated with Cloisonnism and Synthetism, two late 19th century art movements.

The picture was an extreme exercise in Cloisonnism that approximated to pure abstraction.

Bernard theorized a style of painting with bold forms separated by dark contours which became known as cloisonnism.

Earlier, Synthetism has been connected to the term Cloisonnism, and later to Symbolism.

Bernard and his work is associated with Post-Impressionism, Cloisonnism and Synthetism.

He collaborated with both Gauguin and van Gogh, and he theorized a style known as cloisonnism.

This style, named cloisonnism by critic Edouard Dujardin, was inspired by both stained glass and Japanese ukiyo-e.

And the same goes for the mix of fauvish color, cloisonnism and Symbolism in "House at Morrisville," by Roy Kneeland (born in 1891).

On occasion of the Salon des Indépendants in March 1888, the art critic Édouard Dujardin coined Bernard's and Anquetin's new style Cloisonnism.

Paul Sérusier (9 November 1864 - 7 October 1927) was a French painter who was a pioneer of abstract art and an inspiration for the avant-garde Nabi movement, Synthetism and Cloisonnism.

A young Bernard, together with Gauguin, took a trip to Pont-Aven, a remote location in France, and began creating a new, postimpressionist style of painting that defined the Pont-Aven School and Cloisonnism during the summer of 1888.

In his early career, Adami's works were expressionistic, but by the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines.

Art critic Harry Seiwert also notes that Janco's art also reflected his contact with various other alternative models, found in Ancient Egyptian and Far Eastern art, in the paintings of Cimabue and El Greco, and in Cloisonnism.