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Marcel Duchamp wrote an early piece of aleatoric music.
This article is about music on mobile devices, for the musical form see aleatoric music.
As the worms move, they generate aleatoric music.
One motivating force for its composition was Boulez's desire to explore aleatoric music.
In terms of this analysis, aleatoric music is simply music which incorporates noise at frequency levels other than pitch and timbre.
She then studied improvised and aleatoric music with John Cage and David Tudor.
The method of pure aleatoric music was used in the twentieth century by US composer Lejaren Hiller.
This has resulted in various musical techniques such as indeterminacy, aleatoric music, stochastic music, intuitive music, and free improvisation.
Around this time his work became increasingly focused on the relationship between sound and image, using interactivity, gestural interface and generative, interactive and aleatoric music.
These included "eliminating organ music, avant-garde, atonal, aleatoric music, waltzes, virtually all vocal music, all monaural and historical recordings."
Pianist-composer Ng Chong Lim inhabits the ground between atonalism and aleatoric music based on the live interaction of more tonal fragments.
At that time, Stockholm was "a modernist fortress: dodecaphony, serialism, aleatoric music, musique concrète - there was every technique and trend and fashion.
Aleatoric music is also a source of inspiration; in the context of the ensemble, it concerns the expression of a multiplicity of musical directions, styles, and performance practices.
He works with a freedom of form and a concentration on intensity rather than melody, with techniques that include neo-classicism, aleatoric music, twelve tone, serialism, and minimalism.
Music from random elements is called Aleatoric music, and is associated with such composers as John Cage, Morton Feldman, and Witold Lutosławski.
"Roland Barthes' 'Text' and Aleatoric Music: Is the Birth of the Reader the Birth of the Listener?"
Mr. Nancarrow's player piano works range from canons with expanding rhythmic values to even more abstract experiments in aleatoric music, with a few slower and more lyrical pieces thrown in for variety.
One of Vega's influences came from working with American composer Earle Brown, who was a modern proponent of the Open Form style of composition and a father of aleatoric music.
Lousadzak was Hovhaness's first work to make use of an innovative technique he called "spirit murmur" &mdash, an early example of aleatoric music inspired by a vision of Hermon di Giovanno.
Indeterminacy in this view is philosophically opposed to aleatoric music: there the indeterminate element was kept under careful control by the composer, usually by offering the performers a limited number of possibilities from which to choose.
Along the way, in either direction, Ratcliffe may take instruction from practices as widely divergent as the radicalized "quietude" of Yvor Winters, or the aleatoric music and chance procedures of John Cage.
By distancing himself from the musical process in this way (see indeterminate music and aleatoric music) he raises questions of what can be called 'improvisation' and even, some may say, what can be called music.
In 1968, Duchamp and John Cage appeared together at a concert entitled "Reunion", playing a game of chess and composing Aleatoric music by triggering a series of photoelectric cells underneath the chessboard.
Besides, during the seventies, when he was starting to be noticed, atonal and aleatoric music, tone rows, electronics, the disintegration of pitch into sound, in fact the whole modernist project, had become an orthodoxy taught in the colleges.
As a composer, Spiegelman has been widely known as a creative innovator for his blending of techniques from traditional classical music, dodecaphonic music, aleatoric music, gospel, Russian folk, and electronic idioms of musical expression.