Phrygian mode

It resembles the scale of the Phrygian mode but has a major third.

The flute melody is marked by the use of the Phrygian mode.

The Phrygian mode is used for the short interludes after of before verses.

The song's melody and bass line are in Phrygian mode, which is unusual for a pop song.

However, the tango is normally performed in the A Phrygian mode.

Opening with a dissonant clash of chords, the Phrygian mode is established quickly.

Indeed, the opening melody uses a Phrygian mode subset.

In it he uses the Phrygian mode, which is popular in Arabian music.

The piece sounds as though it is written in the Phrygian mode which is typical of bulerías.

Much Flamenco music is in the Phrygian mode.

The following compositions of Josquin are written in the Phrygian mode:

The score modulates, presenting the theme in a phrygian mode, implying a middle eastern atmosphere.

Lothlórien: a soft, ethereal chorus accompanied by cellos in the Phrygian mode.

Though tonal functions have little in common with the Phrygian mode, the four chords could be roughly equalized.

While overall the composition is in the Phrygian mode, the harmonized repetitions enforce tonal variety.

The Phrygian mode is very similar to the modern natural minor scale (see Aeolian mode below).

The key signature is the same as that of the Phrygian mode, with the raised third being written in as necessary with accidentals.

Soleá guitar style is easily identified by its metre and Phrygian mode, but also by a series of characteristic phrases.

Traditional heavy metal tends to employ modal scales, in particular the Aeolian and Phrygian modes.

It is mainly in Phrygian mode, although with numerous shifts to Aeolian and Dorian.

For example, if we write a scale from the mediant to the mediant, we get the phrygian mode:

Phrygian mode: A diatonic scale like the natural minor, except that the second scale degree is a semitone above the tonic.

Its hook comes from a simple progression of power chords alternating between G and A flat, suggesting Phrygian mode.

This includes many scales and modes such as Dorian mode and the Phrygian mode.

The 80-bars piece, scored for solo tenor, choir and organ, is primarily in the Phrygian mode, with some remote enharmonic modulation.