Japanese lacquer

This one has a Japanese lacquer panel showing a basket of flowers on its fall front.

The end result is similar but softer than the Chinese or Japanese lacquer.

To a lesser extent, Japanese lacquer was also influential.

Seen from one end of the hall, it can look as shiny and brittle as Japanese lacquer.

The sumac wax was a byproduct of traditional Japanese lacquer manufacture.

They sold spices, cotton fabrics, porcelain, opium, and Japanese lacquer work.

There was a satinwood writing table under the window and a work-table in Japanese lacquer, very small and dainty.

The Japanese lacquer tree.

Highlighted with brighter squiggles that resemble abstract dragons, it suggests the influence of traditional Japanese lacquer.

She also participated in the Gallery's 2006 exhibition "Focus on Japanese Lacquer".

The ceiling was made of nine domes supported by Doric columns finished in red Japanese lacquer.

"By the time she died, she was already collecting Japanese lacquer and prints by Hiroshige."

(Sometimes the surfaces suggest further developments in Japanese lacquer, sometimes large, reshaped pool balls.)

On several commodes and corner cabinets (encoignures) dating from the 1760s he employed tôle panels imitating Japanese lacquer.

Refreshingly modern, almost Art Deco in feeling, these motifs draw heavily on chinoiserie and Japanese lacquer work.

The wall trim and dado, the lower part of the wall, are glossy gray-green urushi, natural Japanese lacquer derived from tree sap.

The commode, feminine in appearance, is covered with prized 17th-century Japanese lacquer panels inlaid with mother-of-pearl, gold and silver leaf.

Aveline has a pair of Claude-Charles Saunier cabinets with Japanese lacquer fronts.

Descriptive Catalogue of Japanese Lacquer ware of the Bowes Collection.

The nearby Vieux-Lacque Room is decorated with precious Japanese lacquer panels set into dark-brown walnut wainscoting.

Shōgyo Ōba, 96, Japanese lacquer artist (Maki-e), Living National Treasure.

Similar reactions have been reported occasionally from contact with the related Fragrant Sumac (Rhus aromatica) and Japanese lacquer tree.

"Tole originated in France in the 18th century, where it meant any metalware that was painted, sometimes to resemble Japanese lacquer," Miss Weaver said.

Among the 19th-century offerings are an iron spit from Pennsylvania, six Japanese bronze teapots, and a Japanese lacquer hat awash with dragons.

The Japanese lacquer collection amassed by Denys Eyre Bower and on display at the Castle, is both vast and beautiful.