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Over the years, the artists of the Hague School changed.
The members of this group would later become central figures in the Hague School.
As a leader of the Hague School his influence was enormous.
The Hague School were around at the start of the nineteenth century.
The Hague school of artists was rife with theories about 'pure' art.
He is considered a representative of the younger generation of the Hague School.
This movement drew on city life for its subject matter, although the contrast with the Hague School was less pronounced than is occasionally suggested.
Is regarded as follower of the renowned Hague School.
He was heavily influenced by the Hague School and Impressionism.
Nevertheless his painting style was always too free to be realist in nature, a hallmark of the Hague School.
The gray tonality was to become one of the characteristics of Hague School.
He sketched with the Hague School artists and learned to paint the quickly changing skies of the low counties.
This attempt foreshadows the tonal painting style of the Hague School painters.
He unmistakably provided the spiritual impulse for the painters of nature that would later dominate The Hague school.
As a colorist he excelled, his passionate color vision differing from the current Hague School style.
Many young artists who later became members of the Hague School were frustrated by this and scattered to various places to receive the training they desired.
Much like the other Hague School painters, his detailed manner of painting changed to a much looser stroke.
Gabriël's paintings stand out from the 'grey tones' for which the Hague School was famous because of his clear use of color.
At the time foreign interest was more for anecdotal and picturesque works; the typical "Dutchness" of the Hague School.
That is why the Hague School is sometimes also called the Gray School.
The Hague School and young Van Gogh.
In the three years that he remained here, it is probable that he got to know many of the leading lights of the Hague School.
He started painting after he received his degree and became a follower of the Hague School of painting.
The music of Berio influenced him to abandon the The Hague school style and its static harmonic blocks.
Gruppé painted with the Hague school of art and acted as a dealer for Dutch painters in the US.