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In addition, Chiwara can be either male or female.
The appearance of the Chiwara form varies greatly both by region and time produced.
The antelope (called Chiwara) is believed to have taught man the secrets of agriculture.
Female Chiwara masks are denoted by the presence of a baby antelope and straight horns.
Male Chiwara masks have bent horns and a phallus.
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Specific master wood carvers also subtly modified the accepted (or even religiously mandated) local forms, forming a distinct "signature" or "school" of Chiwara figures.
Traditional beliefs such as initiation groups like Chiwara, Dwo, and beliefs in the power of Juju remain among Muslim Manden.
The Chiwara initiation society uses Chiwara masks, as well as dances and rituals associated primarily with agriculture, to teach young Bamana men social values as well as agricultural techniques.
African sculptural forms became fashionable amongst European artists and collectors at the beginning of the Twentieth century, and the Chiwara, especially in its more abstract forms, became one of the icons of what Europeans called Primitive Art.
Others are worn like hats on the top of the wearer's head; examples include those of the Ekhoi people of Nigeria and Bwa people of Burkina Faso, as well as the famous chiwara masks of the Bambara people.
The artist Guillaume Apollinaire and collector Paul Guillaume published images of the Chiwara in their Sculptures nègres in 1917, while Picasso, Braque, and Les Fauves became fascinated with African sculpture and masks in general, and the Chiwara figure in particular.