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The style was then picked up in Carolingian art and given a more botanical character.
It is an example of Carolingian art, but the illustrations follow an antique model.
Carolingian art spans the roughly hundred-year period from about 800-900.
It only reappeared in Carolingian art, among peoples who had no memory of pagan religious statues.
The Abbey was one of the greatest centres of Carolingian art.
Carolingian art was produced for a small group of figures around the court, and the monasteries and churches they supported.
The diocese of Metz was another center of Carolingian art.
The presents were unprecedented in Western Europe and may have influenced Carolingian art.
This was especially the case for the imperial Carolingian art and Ottonian art.
The later period is called Carolingian art, or, especially in architecture, Pre-Romanesque.
Its architecture was the most salient Carolingian art to a society that never saw an illuminated manuscript and rarely handled one of the new coins.
In the first half of the 9th century, Great Moravian craftsmen were inspired by contemporary Carolingian art.
It is the site of a Benedictine abbey, which used to be one of the greatest centers of Carolingian art.
This gospel book and related works had a direct influence on Carolingian art and the course of medieval art (Berenson, 165).
"Carolingian art".
He embellished his cathedral in Metz with works which rank among the highlights of Carolingian art in beauty and preciousness.
He also assembled artists at Hautvillers who transformed Carolingian art into a new thing and founded the so-called Reims School.
From Carolingian art until the Romanesque period, the hand may appear above the top of the cross in the Crucifixion of Jesus, pointing straight down.
The vibrant emotionalism, however, was new to Carolingian art and also distinguishes the Ebbo Gospels from classical art.
Ernst Kitzinger thought the form of the scroll related to early Carolingian art, though it may have been derived more from Late Antique examples.
This document (which he gave to the church of Sens) is an example of Carolingian art and is now in the National Library of Sweden.
The style is a blend of Insular art, as in the Chi-Rho initial shown, and Mediterranean traditions, possibly including some from early Carolingian art.
The Meuse valley lay in the heart of the Carolingian Empire and therefore the style draws largely from the heritage of the Carolingian art tradition.
The figure style shows the influences of the German tradition from Ottonian and Carolingian art, as well as Byzantine art, possibly mediated through Italian works.
The composition is presided by the Maiestas Domini, or Christ in Majesty, represented in a double mandorla, typical of earlier Carolingian art.