Canso

Canso played a key role in the defeat of Louisbourg.

Since the 16th century, Canso has been a strategically important fishery base.

During this period the canso, or love song, became distinguishable as a genre.

The force, beginning to take on the air of a religious crusade, stopped at Canso to reprovision.

The canso can end with either a tornada or envoi.

Jordan wrote one canso for performance by women.

Gui is a major figure in the Canso de la crosada.

In the last stanza of the canso, the female performer says:

Once ashore in Canso, Snow vowed he would never return to the open sea again.

In the same year, he was appointed collector of provincial duties and magistrate at Canso.

He left behind eight poems, of which survive a sirventes and a canso with melodies.

It has been described as a canso.

The canso became, in Old French, the grand chant.

The last stanza of her canso goes like this:

"Canso d'Amare" seeks to revive the past with an almost incantatory style.

Tensions there were further raised when Canso was attacked in 1720 by the Mi'kmaq.

The community was a permanent, year-round village, whereas Canso hosted only seasonal fishing camps.

One sirventes and one canso survive of his poems.

It was an adaptation to Old French of the Occitan canso.

A cross between a sirventes and a canso was a meg-sirventes (half-sirventes).

The first military conflict of the war was at Canso, Nova Scotia.

His other canso deals with courtly love.

Pepperell's land forces sailed in transports from Canso.

The crater is named after Canso, a fishing town in Nova Scotia.

Only one canso survives to his name, preserved in only one chansonnier.