Burgundian school

The wide clothes show the inspiration by the Burgundian school.

He helped to develop the style of the Burgundian School.

He belonged to the group of composers known as the Burgundian School.

This was followed by the rise of chansons and the Burgundian School.

His style is conservative, sometimes referring back to the music of the Burgundian School, especially in the masses.

A member of the Burgundian school, he was known mainly for his secular songs which were in a lyrical and graceful style.

In the early 15th century there was a group of composers known now as the Burgundian School (from Burgundy).

He was the leading figure of the late Burgundian school after the death of Guillaume Dufay.

As the central figure in the Burgundian School, he was the most famous and influential composer in Europe in the mid-15th century.

The two surviving secular compositions by Domarto are both rondeaux, formes fixes of the type popular with the Burgundian School.

He was an early member of the Burgundian School, during the reigns of John the Fearless and Philip the Good.

He was the head of a Burgundian school of poetry called the Grands Rhétoriqueurs, characterised by their excessive use of puns.

Many compositions in fauxbourdon, a characteristic technique of the Burgundian School, use a paraphrased version of a plainchant tune in the highest voice.

He was a minor member of the Burgundian School, a contemporary of Guillaume Dufay, and one of the first to use fauxbourdon in a mass setting.

It was during his reign that the Burgundian chapel became the musical center of Europe, with the activity of the Burgundian School of composers and singers.

The Burgundian School was the first phase of activity of the Franco-Flemish School, the central musical practice of the Renaissance in Europe.

Some of the music is by composers not normally associated with the Burgundian school, such as Ockeghem, Loyset Compère, and Johannes Tinctoris.

His French style, based partly on his Latin reading, has, together with its undeniable vigour and picturesqueness, the characteristic redundance and rhetorical quality of the Burgundian school.

Ciconia was also a composer of sacred music and represents a link with the Burgundian school, the first generation of Netherlanders which dominated the early and middle 15th century.

Articles "Antoine Busnois", "Burgundian School" in The New Grove Dictionary of Music and Musicians, ed.

Other stylistic traits suggest knowledge of the work being done in Cologne and Westphalia, while still others show aspects of the Viennese, French, and Burgundian schools.

The most famous composers of the Burgundian school in the mid-15th century are Guillaume Dufay, Gilles Binchois, and Antoine Busnois.

The First generation (1420-1450), dominated by Dufay, Binchois and Antoine Busnois; this group of composers is most often known as the Burgundian School.

Almost all of his works are for three voices; they are simple and clear in texture, in the typical manner of the Burgundian school; and the melodic voice is the highest.

Agricola is one of the few transitional figures between the Burgundian School and the style of the Josquin generation of Netherlanders who actually wrote music in both styles.